The revival of Adelaide's forgotten history through the play Logan Street is a powerful reminder of the city's diverse past and the struggles faced by its residents. This article delves into the story behind the play, exploring the personal journey of writer and director Jacob Boehme and the impact of his grandmother's stories. Boehme's research into the city archives and state records revealed a hidden history of Logan Street, once known as Little Beirut, where Aboriginal people and non-European migrants faced discrimination and exclusion. The play's focus on Dulcie Sansbury's friendship with Gool Mahomet, an Afghan cameleer, highlights the human connections and resilience amidst adversity. Boehme's family history, including the story of his great-great-great-great grandmother Munarto Nellie Raminyemmerin, further emphasizes the interconnectedness of these stories. As the play prepares for its opening night, Boehme expresses nervous excitement, knowing the weight of his family's history and the community's expectations. The production serves as a platform to share ancestral stories and bring attention to the diverse layers of Australia's history that are still waiting to be told.
